Nonfiction Essays

Nonfiction Essays-76
The ranking covers the last five years (2011 – 2015), and a certain number of points are awarded for an essay appearing in the anthology, and a lesser amount is awarded for the Special Mention in the back of the journal.

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Nonfiction's specific factual assertions and descriptions may or may not be accurate, and can give either a true or a false account of the subject in question.

However, authors of such accounts genuinely believe or claim them to be truthful at the time of their composition or, at least, pose them to a convinced audience as historically or empirically factual.

There are biographies (auto and not) and memoirs too, of course, that fit the bill, but don’t be afraid to venture into the topic because you feel like you have to bare your soul.

In fact, creative nonfiction can be easier than fiction to write because all that it requires is a life experience and maybe a thesaurus.

James Frey, author of has recently come under serious fire for his novel, published as a memoir or true story, which ultimately had huge holes in truthiness.

Of the false statements in the book, Frey’s jail time, girlfriend’s suicide, and the ins and outs of his addictions, are perhaps the most major and upsetting.

Creative nonfiction can be an essay, a journal article, a research paper, a memoir, or a poem; it can be personal or not, or it can be all of these.” Later in Issue #0 of his magazine, he says, “The goal is to make nonfiction stories read like fiction so that your readers are as enthralled by fact as they are by fantasy.”There are bits of literature we could consider CNF, memoirs from David Sedaris, James Frey, Joyce Carol Oates, or Susanna Kaysen; however, the true guts of the stuff lies in the balance of truth and lie.

It is a difficult balance and not as easy to achieve as one may think – sometimes lies just sell better.

They are still present particularly in older works but they are often muted so as not to overshadow the information within the work.

Simplicity, clarity and directness are some of the most important considerations when producing nonfiction.

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