"Stylistic "impurity" and the meaning of Othello." Studies in English Literature, 1500-1900. Othello as Tragic Hero Othello, the Moor of Venice is a Shakespearean tragedy that focuses on the great war hero Othello and the lengths to which Iago goes to in order to strip Othello of his power. Being an extremely jealous and possessive man, Othello does not hesitate to kill Desdemona in a fit of temper.
The twist in the play comes at this stage, when the treacherous and traitorous Iago, who is a standard bearer, plants Desdemona's handkerchief on Cassio, and Othello, when he sees this, becomes convinced that his new wife has been unfaithful to him.
The difference in race between Othello and Desdemona does not seem to drive them apart, but because it is mentioned, it was clearly important. To some degree this may be altered and shaped by the play-actors. "Preferment goes by letter and affection, / Not by the old gradation" (1.1.37-38). From "Shakespeare Criticism in the Twentieth Century." From the Cambridge Companion to Shakespeare. In fact, even when Othello enters their bedchamber and talks about killing her, entreating her to pray so that she does not die with a sin on her soul, Desdemona makes no effort to run from Othello, but questions him about why he is upset. Cassio's flaw is that he is too concerned about other people's opinions. Though he knows that he is vulnerable when he drinks alcohol, Cassio allows Iago to goad him into drinking, because he is concerned about Iago's opinion of him.…… The only change for him is that he starts out jealous…… Iago's rage and vengefulness drive the play's plot forward, leading to the death and downfall of many of its main characters. I know our country disposition well; / in Venice they do let heaven see the pranks/They dare not show their husbands; their best conscience/Is not to leave't undone, but keep't unknown" (3.3).
The interpretation and even the play's events might have been different if Othello was not black, however. Othello: Fool & Hero Every Shakespearean hero has his own unique qualities, whether those be virtue or savagery of the soul, a tragic turn to the character or a humorous nature. complains to Roderigo that he has been denied promotion because of Cassio's youth, breeding, and better name. Cassio's flaw is not as obvious in the beginning part of the play, but plays a major role in the downfall of Othello. Iago, on the other hand, suffers no reversal of fortune from a high place to a low one. During his conversation with Roderigo, Iago confesses his hatred of both Cassio and of Othello, his commanding officer of whom he says, "I follow him to serve my turn upon him," (I.1.42). New York: Longman, 2005 Iago paints for Othello not simply a negative picture of Desdemona, but of an entire society where men are cuckolded: "that cuckold lives in bliss/ho, certain of his fate, loves not his wronger...
An William Shakespeare’s lesser known tragedy, deals with some pretty hefty themes, certainly for the times in which he wrote.
Many consider it a very early treatment of race relations and the struggle for minorities to find acceptance in a white-dominated society.
[Read More] Works Cited "Aristotle." Virginia Community College System. This is scandalous for the time Shakespeare wrote the play, and it still shocking today, and yet Shakespeare does not make the love affair between Othello and Desdemona shocking, he just makes it tragic. For example, Othello starts out as the Venetian Senate's choice to lead the Venetian Army at Cyprus, but in the end he is stripped of his position of military leadership (Cassio replaces him in Cyprus) and is then deposed (or would have been) from Cyprus, had he not first killed himself. Retrieved December 11, 2006, from: edu/Shakespeare/Othello The audience is aware of Iago's nefarious nature from the opening scene of Othello.
Greek philosopher Aristotle defines a tragic hero as "a [virtuous or noble] person who is neither perfect in…… Retrieved From on 20 July, 2005 Othello as a "Moor" One term that is often disguised in the play but the reader finds out early is that Othello is a "Moor" or a black man in love with a white woman. Othello shares that destiny of reversal of fortune, i.e., "a change from bad fortune to good, or from good fortune to bad" (Aristotle, Poetics, Part VII, paragraph III).
This is perhaps the true irony of Othello as a tragic character -- not that he trusts Iago, but in his every action, even those not…… "If virtue no delighted beauty lack," the Duke tells Brabantio, "Your son-in-law is far more fair than black" (1.3.22). 13 " (Blackwelder) Like Shakespeare's original and Parker's version, Odin's fame and popularity and his love for Desi Brable played by Julia Stiles who is the daughter of the school's headmaster just tees Hugo off. However, the manners and subtleties of the white world are impenetrable to him. Spring 2003. Othello: A Dramatic Study in Venetian Alienation According to Shakesperean scholar Maurice Hunt, "Shakespeare's Venice" in the play "Othello" strives to activate "a disturbing paradigm dependent upon the city's multicultural reputation." (Hunt, 2003, p.1) In other words, in Shakespeare's Venice, diversity creates a disturbing and tumultous environment, an environment where only alienation rather than harmony between different races and different people can be sustained. "Invader and the Soul of the State." Shakespeare and Modernity: Early Modern to Millennium. Love is: (1) a "strong feeling of affection, a strong feeling of affection and sexual attraction for someone"; (2) a "great interest…… Othello promises himself that he would rather be a toad living in a dungeon than keep an unfaithful wife which could be used by others. This 'domestic tragedy' lacks the dynastic and political consequences that characterize Macbeth, Hamlet, and Lear. Outline of Aristotle's theory of tragedy edu/home/bmcmanus/Diasporic Identities: In Othello and Heart of Darkness The issue of Diaspora is often associated with only a single culture, that of the Jews who were challenged by the secular and Islamic leaders of their "homeland" to flee for their lives and believe that they are in constant wandering upon the earth.
hile arguing that Othello is virtuous and "fair," the Duke is suggesting that blackness has negative connotations. ith jealousy and envy guiding him, Hugo plots to bring Odin down. He may date a hite woman, but has hardly been able to adjust to a world where feelings, rather than physical prowess matter more, just as Othello the general from a hard life has never been married or lived in a world of…… At the beginning of Shakespeare's drama, Othello is a Venetian general who is esteemed, yet finds his illusions of equal participation in the personal as well as the military life of his adopted city cruelly cut short when he marries Desdemona. [Read More] Moreover, when Desdemona's handkerchief goes missing, and Othello approaches her about it, clearly thinking that she has given it to Cassio, Desdemona does not suspect that Emilia has taken the handkerchief from her. This is indeed a serious charge against innocent Desdemona because she had been very faithful to her husband all along and had it not been for Iago, Othello would have never ever mistrusted her. The protagonist, Othello, behaves like a blockhead. Yet the concept of Diaspora is much broader than that, as individuals and groups often feel disconnected from their homeland both figuratively and really in literature and life.