However, the journey was not without costs: his American identity was achieved only after a painful separation from his past, his family, and his culture.
"Americans like to talk about the importance of family values," said Rodriguez.
Assimilation Richard Rodriguez and Gloria Anzladua both pursue the same end in their writings: the question of Mexican-American integration into American culture. Anzladua chooses the more conventional path of explicating the difficulties of assimilation, while Rodriguez goes further and even blames some of the difficulties on the Mexican immigrants themselves.
However, when the two texts are examined side by side, it becomes evident that they are drawn together by one observation: that assimilation is a purely personal choice and path, one that cannot be dictated by family.
This is not the start that we, as readers, anticipate.
We look for the more prototypical immigrant success story, at least the one from cinema and narrative: one in which the child holds onto every fiber of his foreignness while beating and converting the unforgiving natives at his own game and pace. He himself admits that when he reached third grade he had to "outgrow" such behavior, that a sense of abandonment of his Mexican heritage was actually the natural path of least resistance for him, a path that he had to purposely abandon, presumably to bring about the ending this story entails. Never mentioned a thing to my family or my teachers or classmates.Rodriquez announces to his parents, early in his childhood years, that a teacher had declared that he was losing all traces of a Spanish accent.He was proud of this fact, he took it home with him as one would an 'A' on a science quiz.("Two negatives make a positive.")" Here we see a first generation child violently overthrowing the shackles of his immigrant upbringing, succumbing to what Anzladua would call the white rationality, or a brain split into two functions.The Mexican heritage in Rodriguez was strongly repressed, while he cultivated and nurtured the American side. He was born on July 31, 1944, into a Mexican immigrant family in San Francisco, California. Rodriguez’s books include Hunger of Memory: The Education of Richard Rodriguez (1982), a collection of autobiographical essays; Mexico's Children (1990); Days of Obligation: An Argument With My Mexican Father (1992), which was nominated for the Pulitzer Prize; Brown: The Last Discovery of America (2002); and Darling: A Spiritual Autobiography (2013). Fulbright Fellowship, 1972-73-National Endowment for the Humanities fellowship, 1976-77, and Frankel Medal-Commonwealth Club gold medal, 1982-Christopher Award, 1982, for Hunger of Memory: The Education of Richard Rodriguez-Anisfield-Wolf Award for Race Relations, 1982-George Foster Peabody Award, 1997, for work on the Mac Neil-Lehrer Newshour-International Journalism Award, 1990, from World Affairs Council of California.-Emmy Award, 1992 Richard Rodriguez (born July 31, 1944) is an American writer who became famous as the author of Hunger of Memory: The Education of Richard Rodriguez (1982), a narrative about his intellectual development. Rodriguez's visual essays, ''Richard Rodriguez Essays, on "The News Hour with Jim Lehrer" earned Rodriguez a Peabody Award in 1997.That is the only way in which he rose to the top, academically.And it is also the reason he chucked the academic lifestyle and moved back with his family.I was a "scholarship boy," a certain kind of scholarship boy. My brother and two sisters enjoyed the advantages I did, and they grew to be as successful as I, but none of them ever seemed so anxious about their schooling.A second-grade student, I was the one who came home and corrected the "simple" grammatical mistakes of our parents.