Another point worth noting is that both Martha and Mrs. They talk as if Minnie died when she was married and Mrs. The free-spirit died and was replaced by an isolated wife.
Peters express guilt over not having visited Minnie more often— which opens up the possibility that Martha's reading of the evidence is skewed by her own feelings that she should have helped Minnie. When the women talk about her, they use the name Minnie only when talking about her past. The use of her names varies to demonstrate this metaphorical death.
They search the barn and the bedroom, places where men have dominance, rather than the kitchen, the only place where a woman would be in charge.
One important line, spoken by the sheriff, says of the kitchen "Nothing here but kitchen things." This dismissal of the importance of a woman's life and the male reluctance to enter the "women's sphere" is key in the men's failure to discover the crucial evidence for the case.
When she was a free-spirited, single woman her name was Minnie. Minnie is embodied in her kitchen and sewing things. The bare kitchen can be seen as symbol of the lives of the former inhabitants.
The cold weather freezes and breaks her preserve jars, symbolizing the cold environment of her home breaking her spirit, as well as the coldness which causes the characters to fail in human empathy towards each other. The male characters are clear symbols of "law" and cold rationality, while the women display an intuitiveness representative of the psychoanalytic movement, evoking an interrogation of the value of superficial rational thought. Wright also acts as the "invisible" heroine for women's rights as the play was written and set during the suffragette movement.Wright behaving strangely and her husband upstairs with a rope around his neck, dead. However, Margaret argued that an intruder had killed John with an axe. In a span of ten days, Glaspell composed a one-act play, Trifles ...A year later, Glaspell reworked the material into a short story titled "A Jury of Her Peers." Trifles premiered at the Wharf Theater in Provincetown, Massachusetts, in 1916. Hale, are able to sympathize with Minnie, the victim's wife, and understand her possible motive, which leads them to the evidence against her.The play was soon followed by the short story, "A Jury of Her Peers", also written by Glaspell, which carries the same characters and plotline. Wright guilty, but the women find a dead canary that cracks the case wide open. The play is loosely based on the murder of John Hossack, which Glaspell reported on while working as a news journalist for the Des Moines Daily News.The play begins as the men, followed by the women, enter the Wrights’ empty farm house. Hale recounts his visit to the house the previous day, when he found Mrs. Wright claimed that she was asleep when someone strangled her husband. Hossack's wife, Margaret, was accused of killing her husband. the haunting image of Margaret Hossack's kitchen came rushing back to Glaspell.The women side with Minnie and understand why she chose to kill her husband.As the women note, Minnie used to sing before she married John Wright.where she covered the murder trial of a farmer's wife, Margaret Hossack, in Indianola, Iowa.Hossack was accused of killing her husband, John, by striking him twice in the head with an ax while he slept.Martha theorizes that after Minnie's marriage, she was prevented, by her husband, from singing or doing anything else which would have yielded her pleasure.Minnie's plight is represented by Martha as a spiritual death, symbolized in the strangling of her songbird companion.