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Aubyn's autobiographical Patrick Melrose novels. Although Smith rose from a vastly different experience, she has a kinship with St. A Cambridge graduate, Smith also displays a traditional stylistic elegance in describing lives on the margins of British culture.
Smith's personal essays glow among book reviews, speeches, and observations on music and popular culture gathered in "Feel Free." The pieces appeared in the New York Review of Books, the New Yorker, Harpers and other publications still fighting for existence in the hothouse of literary journalism.
The reviews include her time as the regular book columnist for Harper's, a distinguished chair once held by the late John Leonard.
The Harper's reviewer looks at several books in each column, and Smith held the post briefly, showing an unease with the heavy reading required.
As with her other reviews, Smith's Harper's columns reflect a reluctance to cause offense.
Zadie Smith's personal essays are like having a conversation with her.
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Smith's latest collection, "Feel Free," gives warm-hearted glimpses into her life as an international literary star.
From cafes in Rome to a flat in Greenwich Village to the working-class immigrant neighborhood in London in which she grew up, Smith handles her fame and wealth with grace and humor.
She seems a generous companion, enjoying life's pleasures and handling challenges with smiles and easy laughter.
She contributes regularly to The New Yorker and the New York Review of Books on a range of subjects, and each piece of hers is a literary event in its own right.
Arranged into five sections—In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free—this new collection poses questions we immediately recognize.